![]() ![]() The orchestration and chords also sound very much like Shakespeare in Love. The rhythm is played by a plucked string: two staccato notes, then one long the theme – smooth and flowing – comes in above this. Proof's main title is very similar in this regard. ![]() The main title of Shakespeare in Love is composed of a rhythmic string line with a legato theme coming in on top of that base, also played by the strings. But while Proof contains a number of the characteristics Warbeck brought to his 1998 score, overall, it falls short of Warbeck's earlier award-winner. Though I found the 1998 Academy Awards a disappointment in the Best Music, Original Dramatic Score category – the award going to neither Saving Private Ryan nor The Thin Red Line – the category's Musical or Comedy counterpart was right on with Shakespeare in Love. Fans of Warbeck's Shakespeare in Love will be able to hear several rhythms, orchestrations, and cues in Proof that sound familiar such fans, however, may be slightly dissatisfied. ![]()
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